Image Genna Yussman Greene/Property of Absolute Studio, Louisville, KY

CRIMSON EQUINE

Matthew Tyldesley July 14, 2020

Amazing ideas and opportunities can happen anywhere and at anytime.It was during a hair appointment last summer my client, Diane Moore suggested I along with Photographer Genna Yussman Greene do a photoshoots involving her horses. I instantly loved the ideas and later that week phoned Genna to share my conversation I had with Diane about working with the horse and she loved the idea. Genna had been preparing a collection of Latin/Spanish clothing in Red and Black hues in various textures and fabrics. Reworking vintage fashions, textiles. She was even making some elaborate dresses with long trains on her sewing machines.

As with all our shoots, Genna and I generally overshoot with several models and we originally only planned on four models but the shoot evolved to be three times as many models and two make up artists. I contacted Lexington, Mua, Portia Greene and Louisville, Mua, Jace Race to do make up for a total of eight models.

Booking models is a tedious process, I used social media to do a model call of which can be hit or miss with responses. The process of messaging back models and writing/rewriting details is a lengthy and time comsuming process and sometimes a “cat and mouse” experience to make sure models read all notes and give confirmation back. Sometimes several models come out of the woodwork and then sometimes very few respond back. We will tend to work with some of the same models and include new models and I will invite some clients who may be interested. My biggest key is to select models that will pair nicely together especially for cohesiveness when your trying to tell a story. For maximize content, Genna and I create multiple looks on all models with the team to have enough material to work with post shooting.

Photo Jul 12, 10 00 22 AM.jpg — Selfie with Diane

As with anything unexpected challenges arise, after weeks of planning a day before we had to make the call to cancel the shoot due to a storm. Bummer, but we reset the shoot a few weeks after that. Of course we could not retain all the models as it was back to school season for some of the college/highschool models. We overbooked the shoot because we know the day of some models won’t be able to show up. This is typical within the industry and I’ve encountered at every show/shoot at some time in my career. Prepare for the unexpected…amazing things happen when you least expect them too. You just roll with it.

We travelled to Harrodsburg, Kentucky about and hour from Louisville, KY on a very hot day. We weathered the heat with an amazing team for 14 hours in the beautiful countryside of Kentucky with beautiful horses. We were fortunate to have this collection published in Like A Lion Magazine during the quarantine in the May 2020 issue. It was wonderful seeing the release as this would have been the Derby season had it not been post poned due to quarantine. We felt this collection represented Kentucky’s love for horses and fashion with our own creativity.

In addition to booking talent, I had to create look boards for hair and makeup for each model and for both make up artists. I used Google/Pinterest images using key words that pertained to our theme. I knew I would need to keep hair simple, classy and elegant. For cohesiveness, I decided to make rose hair pieces for each model. I made varying pieces that I adorned each model’s hairstyle with. I had also prepped some wigs to help with timing.I also always keep wigs and extensions in my kit because some of the models recently cut their hair shorter than their headshots.

The day stared at 5 a.m. after my morning coffee, my tools were packed the previous night and my car loaded. I would be transporting any of the models that needed a ride if they arrived at my house that a.m. I had a cooler packed with beverages and bag full of snacks for us to have on location for the models and we would work out details for lunch. We arrived on set at the horse farm and was greeted by Diane and her daughter, Kara. We set up two tents to house the models to protect us from the bright rays of the sun. We had tables for the make up and hair set and we set up wardrobe in one of the barns for the models to dress.

We did a quick meeting with the team to go over expectations of the day and how the flow of the shoot would work. Models were staggered hourly to arrive at different intervals to keep the flow and to prevent models from sitting to long in hair and make up. Genna had scouted out areas with Diane on location as we prepared models. Genna and the assistant would take groups of models that were ready on location as we prepared the next set of models that arrived on location.

Each model wore 2-4 looks a piece complete with accessories and minimal hair changes and make up touch ups. It was a pizza kind of day as you never know what will be available but fortunately there was a pizzeria very close to where we were working.

For Megan’s Hair, I used hair extensions to add density and large hair pad to create this classic shape. Using hairspray to slick back her hair with a center part and hair pins. Heavy shine spray to reflect off her gorgeous hair color.

For model Stephanie I actually used to different custom wigs to give her an alternate look. I prepared a blonde braided wig for texture and a sleek black wig. It totally changed up her look and was convenient to have already prepared with the timing allotted for each model.

For model Braden I slick his hair backed with a Denman brush and a round brush for volume. Set his length on top with a large iron and back combed with hairspray for this classic pompadour. This was his very first shoot and I’m sure it won’t be his last.

For Model Ariana I fishtailed half braids around her entire head except the center of which I backcombed and formed over a pinned hair pad. Afterwards I strategically placed all the braids over the pad and pinned them into place. I loved the some texture from the fishtails that blew in the soft breeze.

Model, Dakota has very lovely and extremely lengthy hair. I would give her a center part with two large fishtails of which I would stretch out to expose a soft wispy texture.

In addition to the models, the horses were the true stars. Along with Diane’s horses their were lovely horse scattered through the location that were friendly and happy to have their photos taken. Gentle giants with beautiful hair. This was an amazing opportunity for everyone involved.

For model, Christie I set her hair on top with a large iron and teased it into this half up do. I left her bangs out an curled the ponytail.

All the assistants on set did a fabulous job, Diane, Kara, Brandy and Love helped transporting, directing models, carrying and dressing models, getting food and hold up camera gear for Genna and managing the horses. Love also modeled having dual roles on set. I added a custom ponytail to her slicked back hair for a classic look.

I had the entire next day off as I needed the rest, unpack my car and prepare for a busy week in the salon. Genna and the make up artists had worked so very hard as did all the models. Everyone had worked so very hard on set. The shoot was so busy but I did get the opportunity to ride on one of the horses.

After the photoshoot Genna and I spent time selecting photos for the collection and she started preparing and editing them for submission. We were so happy to see “Crimson Equine” published in Like A Lion Magazine. Everyone’s hard work paid off and it was nice to see this released during quarantine shut down. I love this gorgeous and colorful collection. The beauty of fashion, hair and make up and the beauty that everyone brings to the table.

A Special thanks to everyone involved. A big thank you to Diane More and Kara Percle for hosting us and the privilege to work with her amazing horses. To Genna Yussman Yussman for your constant creativity.

Credits

Photograpy /Wardrobe/ Creative Direction: Genna Yussman Greene

Photographer’s Assistants: Kara Percle, Love Yascone, Brandie Perry

Hair: Matthew Tyldesley

Make Up: Portia Greene and Jace Race

Location/Horses: Diane Moore

Models: Margarita Karasjaka, Megan Amanda, Stephanie Lynn Johnson, Braden Marble, Ariana Johnson, Dakota Bruton, Christie Perez, Love Yascone

The making of “Crimson Equine”

Alluring Seduction

Matthew Tyldesley November 19, 2019

2019 IBI FInalist “Best Short Cut/Style”

I noticed my husband was watching episodes of “Star Trek: The Net Generation” on Netflix. I sat through a couple episodes and was instantly reminded of my youth growing up watching this gem in the early 90’s. What also inspired my were the short hairstyles on the woman aboard the enterprise and the Klingon woman who had edgy fringed haircuts fashioned in the 1990’s.

So naturally inspiration for a photoshoot developed and I started conjuring ideas for a collection. Inspired by the show and hair master, Vidal Sassoon I started working on several custom wigs. I could work on them in my spare time (Before work and after) and I could book any model since cutting their own hair would not be an issue with them or their agencies.

image by Genna Yussman Greene / Absolute Studio

I used Redken hair color in varying shades and levels of Reds, Coppers and Violet-reds in both permanent and demi permanent colors. A lot of time was spent cutting the wigs. I created various geometric shapes and textured the wigs for the models. Removing weight and refining angles with shears, texture shears and trimmers.

The collection was photographed at Absolute Studio by Genna Yussman Greene. Genna also styled the collection in all black in varying textures and silhouettes She brought together several dress and blazers in leather, satin and matte textiles.. Isidro Valencia was responsible for the gorgeous make up. make up consisted of a smoky eye, soft lip hues and soft blush. He also did a little bit of contouring on each model and created dark, defined brows on each model for a high fashion finish.

The photoshoot lasted several hours on a hot summer day. Models were photographed separately and together with hair and make up prep taking upwards of two hours per model. I booked local talent, Katya Estes, Alexandra Hepfinger, Theresa Krosse and Alexis Fabish. I was able to cornrow on scalp all the model’s hair then I used Redken Hardware Gel 16 and spread thinly with a color brush around the models hairline to gather all tiny hair for control. Stocking caps were placed on top of the braids and the wigs were fitted on each model.

With refitting and the wigs having previously cut helped with timing. Now time was spent recutting fringes and refining angles. Cleaning up random hair and lightly irony each section for a clean, beveled finish. I really took my time to make sure each look supported and enhanced each of the model’s features. I am so grateful to this team for bringing the collection to life. Everyone was so passion about this entire project.

After the photoshoot was completed, Genna and I sorted through the images for our favorite image of each look on each model. We put the images together for submission and initially thought about competition then print of this one. After initial rejection I decided to submit the collection to Elegant Magazine. After less than a week after submitting I had heard back from the editor that they want to run with the collection in was published in a seven page spread in summer, June 2019 issue of Elegant Magazine.

With some encourage from Isidro, he urged me to enter some of my previous published work into the IBI 2019 awards. (International Beauty Industry Awards). So I decided right before the competition deadline to enter one of the images in the collection into the category for “Best Short Cut/Style”. Imagine to my surprise the image had made second place finalist for Best Short Cut/Style 2019. That was pretty awesome.

image by Genna Yussman Greene / Absolute Studio Finalist 2019 IBI awards “Best Short Cut/Style”

It amazing to see the legacy of a collection one puts so much heart and soul into. This collection started from simply watching a vintage, childhood program on Netflix that blossomed and morphed into it’s own with the love and support of the models and Isidro and Genna of Absolute Studio.

Credits

Models

Theresa Krosse | @theresa_krosse

Alexis Fabish | @alexisfabish

Katya Estes | @ekaterina_etes_katya

Alexandra Hepfinger | @alexandrahepfinger

Photography / Wardrobe | Genna Yussman Greene @gennayussman

Make Up | Isidro Valencia @valencia0612

Hair / Creative Director | Matthew Tyldesley @hairbymatt

Assistant | Love Yascone | @love_yascone

BTS making of “Alluring Seduction”

PHOTO FINISH 10/18

Matthew Tyldesley January 14, 2019

Lights, Camera, Hairspray, lipstick…it’s time for these models to work it for the cameras.

Photo Finish was a rousing success once again as hairstylists from around the world (This time we had attendees from Dubai and Australia) for a three day, hands on, Immersive experience executing their very own photoshoots.

Noah Hatton and I once again reconvened at The Redken Exchange in Manhattan. This time joined by fellow Redken artist, Lindsey Olson. Our program is 90% hands on experience. Attendees have theory highlighting contemporary and past photographers, along with each facilitator presenting a portfolio of their work to fuel inspiration .

By Day three we were joined by New York Photographer, Joseph Rivera and make up artists Xinxin Chang and Samantha Martinez.

Attendees work on both mannequins and real models for Alicja Models Agency in NYC on day 1 and 2. Foundation skills of basic ponytails, French and Italian twist along with marcel iron work are demoed then executed by the attendees.

By day 3 attendees will have created a vision/mood board reflecting their “brand” of hair they would want to create during their photoshoots. This allows total creative control but also keeps the photoshoot on point and allows everyone involved has a clear path to the vision set by each attendee.

We spent a total about 30 hours packed into three days of exciting, fun, educational photoshoot.

You won’t want to miss Photo Finish and we would love to have you there. Below, two optional dates for 2019:

March August

BTS Of our three day class in NYC sign up at redkensalon.com

Facilitator | Matthew Tyldesley @hairbymatt

Facilitator | Lindsey Olson @lindsey.marie.olson

Facilitator | Noah Hatton @noahbhatton

Photographer | Joseph Rivera @byjoseprivera

Make Up Artist | Xinxin Wang @xinxinwang_xinxinwang

Make Up Artist | Samantha Martinez @sam.martin.beauty

Alicja Burek @alicjaevents

The SUCCUBUS Chronicles

Matthew Tyldesley September 24, 2018

Succubus. Vampire. Demon. Creatures of the Night. Years ago I did a a collaborative series fueled by my love of horror films and halloween. It would exercise my passion for fashion and hair, produce two sequel, involve lots of talented artists, published three times and created an amazing experience. Looking back in retrospect we created a timeless body of work that is worth a revisit….The Succubus Chronicles

Succubus Origins image by Joey Goldsmith

dream team: discussing our vision captured image by Gary Barragan

Succubus Origins photo by Joey Goldsmith

The initial collection was conjured together with award winning make up artist, Isidro Valencia and with published photographer, Joey Goldsmith. The three of us discussed our love for all things macabre and dark and wanted to create a serious collection inspired by the folklore of the “succubus”. I was responsible with both hair and styling along with creative direction with both Joey and Isidro. We secured three models and got permission to shoot at the historical Culbertson Mansion in Downtown Louisville, Kentucky.

selfie with photographer, Joey and videographer, Blake

We spent an entire day at the eerie Culbertson mansion with its beautiful construction and full of historical antiques. I was not allowed to use hairspray whatever on the premises as it would collect in the air and unto the vintage heirlooms. That was a fun challenge. I was also in charge of styling and purchased expensive garments from Goodwill of which I paired jewelry and accessories.

Joey did an amazing job of telling a story with the three models we had. He scouted various areas of the mansion prior to setting up lights and for staging every area we utilized. Jacey Calloway was our lead who created the allure and beauty a succubus needs in order to drain the life and energy from her victims. Chris Diaz and Erica Goldsmith play the unsuspecting couple that venture into the home of the succubus. As the night progress so do Jacey’s power and both Erica and Chris become creatures of the night.

styling Elora’s mane. Image by Gary Barragan

s-3NyELzD7gs8d9GXPYdnY3FjrUSIx3wFWjncudEfQQ,RkZFwhNx8gWCqU9AiGMtuxO5vhx0cLcjX5LFOQBBgR0.jpeg — Succubus Origins image by Joey Goldsmith

Isidro created a very clean palette that encompassed the sultriness the models needed but turned it up a notch when the Succubus turned into her dark form. Heavy kohl rimmed eyes and defined brows with lots of contour and red lips. For hair I made a lot of custom extensions but wanted lots of texture with curls and lots of volume. Kind of the old world meets the new world for a timeless feel.

bts of my working area: tools and vision board to bring the vision to life

We had custom nails designed by nail designer Maritza Cabalerro and had bts imaged photographed by Gary Barragan. The collection, “Succubus” debuted in Australia’s Like a Lion magazine fall issue.

Teaser for the upcoming Succubus-Incubus fashion editorial. Goldsmith photography Matthew tyldesley Redken artist Valencia make-up Liberty Designs Dark Heart Creative

Succubus Incubus photo by Joey Goldsmith

amazing working design bts by Genna Yussman Greene worn by Jacey

A sequel was brought up a year later and we wanted to go bigger and harder with this one. So many ideas came to mind but we knew the fashions would play a larger role for this and so we asked designer Genna Yussman Greene to create a collection for a follow up to our Succubus. She created a very slick and sexy collection in dark hues of red, violet and black featuring various textures, slim fitting and strategically showed off skin.

SUCCUBUS BTS VIDEO BY DARK HEART CREATIVE

working design bts by Genna Yussman Greene worn by Erica and Elora

We talked about using Jacey as our lead and inviting both Erica and Chris back but needed to up the ante and added two new models, Elora Antunez and John Wells. We split the shooting in two days. Day one was at ThoughtFly Studios and focused more on the artistry of hair and make up and was strictly beauty images. Day 2 was on location in full fashion editorial mode. This way we created two collections with two completely different vibes using the same models.

Genna’s original designs based on our vision per our meetings

This time we got permission to use the lovely home of Janice Carter Levitch who had home in the highlands: Old gorgeous home covered with lots of shrubbery, stones and trees. There were lots of areas outside that provided a beautiful landscaped to create the darker world of the Succubus.

wardrobe touch up and model posing inspiration with Genna

capturing both stills and video of Jacey and John with Blake and Joey. Image by Gary Barragan

We again invited photographer, Gary Barragan back again to shoot bts images and brought in videographer, Blake McGrew who filmed promotional teasers and a small documentary. Maritza Cabellero was gracious again to create new set of nails for all the models to wear.

John and Erica on set with Joey. Image by Gary Barragan

working design bts by Genna Yussman Greene worn by Jacey

We spent an entire day (14 hours) staging, prepping models and photographing all models. We were tired but knew we had made magic. Isidro pushed the makeup much more: much darker and harder and I turned up the hair full fashion runway volume with classic waves and vampy curls.

Joey capturing Elora behind the lens. Image by Gary Barragan

our creatures of the night, Elora, Jacey & Chris

The collection, “Succubus / Incubus” debuted an impressive spread as well as grace the cover of Imperial Magazine’s fall issue and our beauty collection, “Succubus: Creatures of the Night” was a Bangstyle exclusive collection.

I am beyond proud of these collections, the amount of work that went into them and the artists that combined their gifts and talents to create these timeless collections.

so much fun on set. image by Gary Barragan

Succubus: Children Of The Night photo by Joey Goldsmith

CREDITS

Photography/Creative Direction | Joey Goldsmith @joeygoldsmithphoto

Hair/Creative Direction | Matthew Tyldesley @hairbymatt

Make Up/Creative Direction | Isidro Valencia @valencia0612

Wardrobe | Genna Yussman Greene @gennayussman

MODELS

Jacey Calloway @hownowmeowcatt

Erica Goldsmith @ericagoldsmithactress

Chris Diaz @chrisryandiaz

Elora Antunez @mermaidqueen25

John Scott Wells @john_scott_well

BTS Photography | Gary Barragan @photobygaryb

Videography | Blake McGrew | Dark Heart Creative @darkheartcreative

Make Up Assistant | Anna Catalina Perez @anacperezhmua

Wardrobe Assistants | Kali Shmuckie | Jamie Boston Guest

Special Thanks to Culbertson Mansion, Like A Lion Magazine, Imperial Magazine, Bangstyle and Janice Carter Levitch, Eric Baker and ThoughtFly Studios.

Jacey behind the lens with Joey. Image by Gary Barragan

the make up master working on his canvas

with my Bestie, Isidro. Image by Gary Barragan

memorabalia: digital tearsheet from Like A Lion

memorabilia: featured collection from Bangstyle

LUSTRE

Matthew Tyldesley August 28, 2018

I was so excited to continue my editorial collaboration with fashion photographer, Jenni Harper Young (Harper Young Photography). This particular collection was inspired by holograms and pastel hair and fashion. Jenni had mentioned wanted to do a photoshoot with models that had blue and pink hair.

She had contacted me later and we started planning this collection. I recommend Genna Yussman Greene for Wardrobe and she wanted make up artist Becca Schell on board. Both of them played integral roles in this fashion collection. Genna had pieced together a wardrobe based on our concept along with accessories. A custom winglet she sewed together using holographic wrapping paper.

For make up Becca used bright pastels creating a beautiful, "doll" like make up. Eyeshadow was placed over entire lid and brow in strong pinks and blues on both models. Baby blue and pastel green lip color with strong baby pink blush with heavy highlighter.

hairstyles varied in length on each model ranging from lock flowing braided looks to short croppy cuts and fringed bobs.

For hair, I created various looks using several wigs. The look below was created using long hair pins that hair was woven through in a figure 8 pattern and heated using a hand held steamer. The hair setting took a couple hours to prep prior to the photoshoot.

models hair was braided to consolidate density and length for wigs

Utilizing wigs is efficient for on set photoshoots to drastically change a models look. The prep work is done prior to save time as some of the looks are very technical and time consuming to create. The hairstyle below is an example of one of the looks prepped prior to the shoot using various braid techniques.

The look below hair netting/hair veil was created using sewing thread and lots of patients. A front lace wig was used to create this look using the front hair line to execute the hair veil.

We all worked together to create a total of six looks on two model in eight hours. Genna pieced together a beautiful collection with metallic, textures in various materials in both pink, blue and holographic finishes in booth shine and matte nuances.

Jenni photographed the entire collection that was beautiful published by Elegant Magazine in a nine page spread. We are grateful to them for the feature and to everyone involved in this project.

it takes a village: Alli getting "dolled" up by Becca and I

Credits

Models

Alli Simms | @allisimmsmusic | Heyman Talent Agency

Lilly Smith | @lillylillysmith | Heyman Talent Agency

Photography | Jenni Harper Young @jharrrper

Wardrobe | Genna Yussman Greene @gennayussman

Make Up | Becca Schell @beccaschellmakeup

Hair | Matthew Tyldesley @hairbymatt

BTS making of video

My Vintage Valentine

Matthew Tyldesley April 4, 2018

Romance, Beauty, love and all things pretty. I have wanted to do a Valentine Themed photoshoot for some time. My creative partner, Genna Yussman Greene suggested we do one at the beginning of 2017. Genna had put together some vintage dressers and I wanted to do some classy updos and polished hair. We enlisted our buddy, Isidro Valencia for make up and two gorgeous models and our team was set.

We wanted to fuse romance, with big hair and vintage styling for a timeless feel. Genna ordered a custom floral backdrop to be used for the shoot. We chose two gorgeous models, Emily and Kristina. We have worked with both before and chose both girls for their beautiful facial structures, Their tall lean looks and their positive attitudes on set.

This collection was release exclusively by Bangstyle as a featured collection. The staff at Bangstyle have been so supportive of the work we do and they said the timing for the release was perfect.

For Make up Isidro created a soft look consisting of soft smoky eyes, pink pastels color on eyes, shimmer, rosy cheeks and soft contoured cheeks.

Spring make up 2018 by Isidro modeled by Emily

For This undo I converged all of Kristina's hair upwards into a ponytail I then added a long hair pad and a large wefted hair extension and form the hair over the pad into the shape using Fashion Works 12 and a finishing brush from Tearsheet. Control Addict 28 was used to finalize the look.

For this Fishtail undo, I fishtailed braided random sections on Emily's entire head then with the ends pinned them between the sections created for the fishtails.

This updo was a lot of fun. I was watching a lot of the old "Dynasty" so I did this timeless, voluminous undo with Redken's Guts 10 for volume. Next hair was pulled upwards into a couple of ponytails. A small hair pad was used for the bump on top that hair was covered with Emily's hair using Fashion Works 12. I smoothed the hair using a small finishing brush. The other ponytails that hair was backcombed, smoothed and rolled into shape with bobbie pins. Finished with Control Addict 28 and Shine Flash 03.

The vintage look was set using Iron Shape 11 and Sam Villa's marcel iron and pinned to cool. Afterwards the hair was brushed out using Tearsheet's static free large tail comb and Fashion Works 12. No bend clips were placed in the hair to set it while Isidro finished Emily's her make up application.

Kristina's hair was set in the same fashion with Emily's only different placement and finished with Control Addict 28.

Credits

Photography | Wardrobe | Set Design | Genna Yussman Greene @gennayussman

Hair | Matthew Tyldesley @haibymatt

Make Up | Isidro Valencia @valencia0612

Models | Kristina Russ @kristina_russ

Emily Bennett @emilybennett_

Radiance

Matthew Tyldesley March 21, 2018

I love working with photographer, Jenni Harper (Harper Young Photography). She has an eye for good lighting and balanced composition. Every few months we make plans to execute a photoshoot. This time we wanted to create beauty images incorporating moody lighting and textured, braided hairstyles. We decided to only use jewelry for wardrobe paired with shimmering make up. We are representing beauty and fashion with wearable looks for 2018.

We chose to use costume jewelry for simplicity from JC Beauty in Louisville, KY. We selected three models, two looks a piece. Models were booked from Lexington, Ky and Cincinnati, Oh.

We planned the shoot several weeks in advanced but challenges can happen. Our make up artist could not make the date last minute fortunately, I had an assistant on set. Caleb Yeske is both a hair and make up artist. He did and amazing job as he is well trained in his skill sets. Photoshoots have taught me a lot about how to just "go with the flow" as the show must go on. The end results speak for themselves as everyone did an amazing job.

We created 2-3 looks per model and time ranged up two hours per look. Looks involved extensive braiding and the usage of hair pieces. Pre braided kanekalon hair and hair pieces were prepared a few days prior to the shoot. Make up looks included shimmers, bronzers and metallic hues. Highlighters, Metallic lip color and bronzed skinned were incorporated to match and reflect the moody set/lighting created by Jenni. Models nails were polished in metallic tones.

For this look on Ayanna, I started with a directional blow-dry using Redken, Guts 10 upwards with a Sam Villa hairdryer and Denman Brush. Afterwards I converged the hair into pontails in the center like a "mohawk" while leaving smalls sections out that I cornrowed on scalp. I secured hair pieces on the small ponytails and attached the braids into them with hair pins and Fashion Works 12 hair spray.

bts side profile of Ayanna

I used Water Wax 03 pomade and a fine tooth come to wave the fine hairs around her hairline on Ayanna's skin.

bts profile of Kirjah (cross hatching)

This look on Kirjah, was created by sectioning small square sections into elastic bands and converging them together (cross hatching). I found Hardware Gel 16 helped with control of the hair. The top of her hair was braided with Kanekalon hair for length and density.

bts profile of Katy

For this look on Katy, I section the center top and secured the hair into several ponytails that I pulled and loosen. The remaining hair was braided scalp and formed into a rosette and secured with hair pins. Control Addict 28 was used to set the look.

The collection was published in the January 2018 beauty issue of Beau Nu Magazine. We were excited and honored to have it featured.

The above look on Katy, involved irregular sectioning for on scalp braids pinned into a textured updo.

Credits

Photography | Styling | Harper Young Photography | @jharrrper

Hair | Styling | Matthew Tyldesley @hairbymatt

Make Up | Caleb Yeske @ckyhair

Models | Kirjah Hoops @queen_kirjah

Katy Ngo @kaytme

Ayanna Willams @aswillly

bts video making of of "Radiance"

Credits

Photography | Styling | Jenni Harper Young | Harper Young Photography @jharrrper

Hair | Styling | Matthew Tyldesley @hairbymatt

Make Up | Caleb Yeske @ckyhair

Models | Ayanna Williams @aswillly

Katy Ngo @katyme

Kirjah Hoops @queen_kirjah

Lucy

Matthew Tyldesley February 28, 2018

Photographer, Louis Tinsley asked me to do hair for an evening photoshoot. I agreed as I like the model, designer (Frances Lewis) and make up artist (Matt Goodlett) involved in the project. This was also my first time collaborating with Louis so I was really excited.

Louis requested a blue wig and I have this dark blue blob wig i styled on Model, Lucy. I braided her hair before covering with a wig cap then attached the wig on her head. I used love heat on a hair dryer and Fashion Works 12 working spray to shape the wig. Once in place I used Control Addict 28 to lock the hairstyle.

Designer, Frances Lewis designed the gorgeous sheer dress that was worn by Lucy.

Make up artist, Matt Goodlett created a dark smoky eye with a hint of bronze. The look was complete with a dramatic brow and matte nude lip.

This was a quick shoot that lasted under four hours. I look forward to more shoots with these creative artists.

designer Frances Lewis final touches on her gown

Credits

Model | Lucy Duane @lucyduane

Photography | Louis TInsley @louistinsley

Wardrobe | Frances Lewis @ann_deevelyn_clothing_co

Make Up | Matt Goodlett @mattgoodletmakeup

Hair | Matthew Tyldesley @hairbymatt

BTS making of video: LUCY

Mannequins of the Mansion

Matthew Tyldesley January 2, 2018

Gunnar Deatherage is a man of many talents; Designer, Stylists, Creative Director. I was excited when he contacted me regarding hair for his upcoming fashion spread for The Voice Tribune. I was very excited as he said curly hair and the shoot would focus on a generation of wealthy, fashionable women in a huge home.

I was excited again to have the opportunity to work with make up artist, Bethany Hood and Photographer, Clay Cook would be photographing the collection. Models would be book from Heyman Talent Agency.

the entrance upon entering the Conrad Caldwell House

I think one of the best parts of this photoshoot was is the home which served as the backdrop to this collection. The Conrad Caldwell Historical Mansion with its haunting energy was rich in beauty and history with a haunting vibe to the past. I was mesmerized by the house and intrigued by it size, high ceilings and original decor.

Clay and the crew with cover spread model, Annilease

Bethany and I did hair and make up to prep the models at Gunnar's studio. For hair I prepped the models with Redken's Guts 10 for subtle volume and then I sprayed Iron Shape 11 on sections of the hair and used various curling irons. I used the new Sam Villa Curling iron on all models and on the youngest model I used the Kiss 5/8 curling wand to set the hair.

Clay Cook and his team did scouted various parts of the house to be used as backdrops to tell a story for the collection. Special lighting and test shoots were done prior to photographing the models. Special care was used when working with the actual antiques in the home which we were not allowed to move.

on set bts image of all models (Heyman Talent Agency)make up by Bethany HoodHair Matthew Tyldesley — on set bts image of all models (Heyman Talent Agency)
make up by Bethany Hood
Hair Matthew Tyldesley

The entire shoot last 10 hours and was published in the Fall 2017 Fashion Issue of the Voice Tribune.

The collection was a featured fashion editorial in The Voice Tribune Fall Fashion Issue 2017.

Gunnar doing final touch up on wardrobe on model, Journey

Credits

Mannequins of the Mansion @thevoicetribune

Creative Direction\Styling || Gunnar Deatherage @gunnardeatherage

Photography || Clay Cook @claycookphoto

Photo Assistants || Hunter Zieske @hunterzieske

Louis Tinsley @louistinsley

Chelsea Marrin @chelsea_marrin

Hair || Matthew Tyldesley @hairbymatt

Make Up || Bethany Hood @thehouseofhood

Models || Melissa Moore @melissamoore27

Annaliese Levy @annalieselevy

Annalise F.

Journey B.

Heyman Talent Agency @heymantalentagency

Location || The Conrad Caldwell House Museum @conradcaldwellhouse

BTS making of video for Mannequins of the Mansion

Urbane

Matthew Tyldesley November 29, 2017

I love men's hairstyling and fashion. For this collection I was inspired by men's hairstyling from the past: 1950's and 1990's and the energy of big city life. With every photoshoot comes an amazing story but they are not without their own set of challenges that is always a learning curve.

For this collection I booked photographer, Steve Squall. I hired Steve last year to photograph another collection and worked on several published editorial spreads in the past. Steve does a fantastic job doing fashion photography and was a perfect fit for shooting a men's collection. I had on board make up artist, Isidro Valencia and Genna Yussman Greene on styling. I met Steve to discuss my ideas for the shoot and he loved the concept.

This is one of several collections I did for NAHA although it was not nominated, I was honored to have it was released exclusively by Bangstyle.

As I had mentioned earlier, photoshoots have challenges. I had all models booked and all was a go however I had an issue with a model that overbooked himself with his agency so I could not use him and on the day of model prep one of my models no showed. Fortunately I had lucked out and I was able to rebook both. I swear I have a photoshoot "Guardian Angel". Through it all you persevere and make it work with the team.

I practiced some of the looks on mannequins. I did some highlighting and tapered cuts along with various styling techniques. This would all help for the prep day with the models. I would be more inspired on prep day where I did both color and cut on the models and could work with their bone structures and skin tones.

The prep day was set a day before the shoot and lasted for seven hours. Ellis arrived and I decided to do an all over lightening process. I used Redken Flashlight with pH bonder. After getting him to a pale yellow I glaze his hair with Shades EQ glosses 07P, 09P and 09T.

I did a shear over comb cut on his sides and back and left the top length longer for styling.

On the day of the photoshoot I styled his hair with Hardware Gel 16 to create the finger wave.

On model, Justin I did a soft highlight using Redken Blonde Icing combined with pH Bonder. After processing I glaze the hair with 09T in Shades EQ gloss.

For his cut I did shear over comb on his sides and back and left a visible weigh line to build the silhouette.

Styling on the day of the shoot consisted of flat wrapping his hair with Thickening Lotion 06 with the Sam Villa Paddle brush. Hand styled with Move Ability 05 and finished with Control Addict 28.

On Micah's hair I did a heavy highlight with Blonde Icing and pH Bonder followed with a Shades EQ gloss in 07P.

For his cut I decided to do a faded mohawk using my Andis Clippers "Envy" and layered the top with my Sam Villa 7" shears.

The styling for the shoot day included paddle brush combined with hair dryer and Hardware Gel 16. Once hair was dry it was hear styled with Iron Shape 11 and 2" curling iron. For handstyling I used Mess Around 10 finished with Control Addict 28.

We shot early morning at Steve's studio. Lots of coffees and bagels kept us busy and content for a six hour shoot. I staggered models arrival times to give everyone enough time to prepare. We did wardrobe tests with each model to find the right look.

For make up Isidro did a fantastic job keeping the make up real clean with soft contour cheeks, lip balm and lots of highlighter to enhance model's cheeks and brow bones.